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The Pre-Raphaelite Brotherhood was founded in John Millais's parents' house on Gower Street, London in 1848. At the initial meeting, John Everett Millais, Dante Gabriel Rossetti, and William Holman Hunt were present. Hunt and Millais were students at the Royal Academy of Arts. They had previously met in another loose association, a sketching-society called the Cyclographic Club. Rossetti was a pupil of Ford Madox Brown. He had met Hunt after seeing his painting The Eve of St. Agnes, which is based on Keats's poem. As an aspiring poet, Rossetti wished to develop the links between Romantic poetry and art. By autumn, four more members had also joined, to form a seven-member-strong Brotherhood. These were William Michael Rossetti (Dante Gabriel Rossetti's brother), Thomas Woolner, James Collinson, and Frederic George Stephens. Ford Madox Brown was invited to join, but preferred to remain independent. He nevertheless remained close to the group. Some other young painters and sculptors were also close associates, including Charles Allston Collins, Thomas Tupper, and Alexander Munro. They kept the existence of the Brotherhood secret from members of the Royal Academy.
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A Wonderful Collection of '365' Illustrations by 4 Amazing Artists: Edward Burne-Jones, John Everett Millais, Dante Gabriel Rossetti, John William Waterhouse.
The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, John Everett Millais, Frederic George Stephens, Thomas Woolner and William Holman Hunt.
The group's intention was to reform art by rejecting what they considered to be the mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art. Hence the name "Pre-Raphaelite". In particular, they objected to the influence of Sir Joshua Reynolds, the founder of the English Royal Academy of Arts. They called him "Sir Sloshua", believing that his broad technique was a sloppy and formulaic form of academic Mannerism. In contrast, they wanted to return to the abundant detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art.
The Pre-Raphaelites have been considered the first avant-garde movement in art, though they have also been denied that status, because they continued to accept both the concepts of history painting and of mimesis, or imitation of nature, as central to the purpose of art. However, the Pre-Raphaelites undoubtedly defined themselves as a reform-movement, created a distinct name for their form of art, and published a periodical, The Germ, to promote their ideas. Their debates were recorded in the Pre-Raphaelite Journal.
Image screen sizes average 1650 x 1250, 1280 x 1024, 1024 x 768 at 300 dpi.

110+ Burne-Jones Paintings of Mythology, Religious and Fantasy Themes.
Sir Edward Coley Burne-Jones, 1st Baronet (28 August 1833 – 17 June 1898) was an English artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner, and Company. Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in England; his stained glass works include the windows of Birmingham Cathedral, St Martin's Church in Brampton, Cumbria, the church designed by Philip Webb, All Saints, Jesus Lane, Cambridge and in Christ Church College, Oxford.
Burne-Jones's early paintings show the heavy inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice". In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right, and he was taken up as a herald and star of the new Aesthetic Movement.
Image screen sizes average 2200 x 1800, 1650 x 1280, 1280 x 1024, 1024 x 768 at 300 dpi.

65+ Millais Paintings of Fantasy, Portraits, Religious and Royal Family Themes.
Sir John Everett Millais, 1st Baronet, PRA (8 June 1829 – 13 August 1896) was an English painter and illustrator and one of the founders of the Pre-Raphaelite Brotherhood. Millais (pronounced Mih-lay) was born in Southampton, England in 1829, of a prominent Jersey-based family. His prodigious artistic talent won him a place at the Royal Academy schools at the unprecedented age of eleven. While there, he met William Holman Hunt and Dante Gabriel Rossetti with whom he formed the Pre-Raphaelite Brotherhood (known as the "PRB") in September 1848 in his family home on Gower Street, off Bedford Square.
Millais' Christ In The House Of His Parents (1850) was highly controversial because of its realistic portrayal of a working class Holy Family labouring in a messy carpentry workshop. Later works were also controversial, though less so. Millais achieved popular success with A Huguenot (1852), which depicts a young couple about to be separated because of religious conflicts. He repeated this theme in many later works.
Image screen sizes average 2200 x 1800, 1600 x 1200 at 300 dpi.

100+ Rossetti Paintings of Classical Portraits, Fantasy, Mythology and Religious Themes.
Dante Gabriel Rossetti (12 May 1828 – 9 April 1882) was an English poet, illustrator, painter and translator. The son of émigré Italian scholar Gabriel Pasquale Giuseppe Rossetti and his wife Frances Polidori, D.G. Rossetti was born in London, England and originally named Gabriel Charles Dante Rossetti. His family and friends called him "Gabriel", but in publications he put the name Dante first (in honor of Dante Alighieri). He was the brother of poet Christina Rossetti, the critic William Michael Rossetti, and author Maria Francesca Rossetti, and was a founder of the Pre-Raphaelite Brotherhood with John Everett Millais and William Holman Hunt.
Like all his siblings, he aspired to be a poet and attended King's College School. However, he also wished to be a painter, having shown a great interest in Medieval Italian art. He studied at Henry Sass's Drawing Academy from 1841 to 1845 when he enrolled at the Antique School of the Royal Academy, leaving in 1848. After leaving the Royal Academy, Rossetti studied underFord Madox Brown, with whom he was to retain a close relationship throughout his life.
Image screen sizes average 1650 x 1280, 1280 x 1024, 1024 x 768 at 300 dpi.

140+ Waterhouse Paintings of Fantasy and Mythology, Literary, Religious and Portrait Themes.
John William Waterhouse (6 April 1849 — 10 February 1917) was an English Pre-Raphaelite painter most famous for his paintings of female characters from mythology and literature. He belonged to the later phase of the Pre-Raphaelite Brotherhood.
He was born in Rome to the painters William and Isabela Waterhouse, but when he was five the family moved to South Kensington, near the newly founded Victoria and Albert Museum. He studied painting under his father before entering the Royal Academy schools in 1870. His early works were of classical themes in the spirit of Alma-Tadema and Frederic Leighton, and were exhibited at the Royal Academy, the Society of British Artists and the Dudley Gallery.
Image screen sizes average 2200 x 1800, 1024 x 768 at 300 dpi.

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